Okay, I've been in Amsterdam for five days now and am leaving tonight for London... it's been fantastic and wonderful... but I'll be getting to updates from this trip after it's done. For now, here's an old post I hadn't yet put up about all the awesome events I'vee been to in STrasbourg. Oh, and I have a whole bunch of photos to post, but for some reason this computer is being mean and doesn't want to get the photo-part to work. So I'll post a scad of pictures upon my return, both of Strasbourg and the amazingness that is Amsterdam. Derek and I are both picture junkies, so we've taken a good 600 pix between the two of us these last five days. Yes, that's over 100/day. And Derek's decided to come join Ariana and I for half of our Ireland stay, so I'm sure we'll have another picture-taking fiesta come next week.
By the way... IT IS FRICKIN'AWESOME TO BE TRAVELLING IN EUROPE! more on this to come...
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Okay... so I haven’t really been able to update as I go along due to the difficult internet situation (not checking my email in three days seems blasphemous to the internet gods I used to worship daily, but I’m starting to get used to it). But I’ve done a whole number of things worthy of note, so I figured I’d lump them all into one post and try to breeze through in an interesting fashion...
#1... Clubbing at La Laiterie... my first European electronic music event, for Martina’s 20th birthday, way back during my second Friday here. At “La Laiterie,” an out-of-the way music venue a mere three or four blocks from my apartment, but into a rather shady part of town (wouldn’t really want to go to anything there alone... think “under the freeway” type of digs). Every Friday, beginning at midnight, is an all-night event known as “clubbing,” with two rooms of electronic music (though we only managed to find one when we were there) and various Djs, etc. A crazy amount of guys there, as electronic music seems to be a primarily male thing (Maura once sited its total “lack of emotion” as music goes... while I would disagree – repetitive, yes, emotionless, no – for some reason it made me wonder about the disproportionate number of males and females who appreciate the genre). In any case, it was an interesting night, lots of dancing to mediocre DJs (Protonradio.com has spoiled me), avoiding eye contact with guys seemingly excited by the appearance of the rare female, and watching Alex down beer after beer to bear the music... he hates electronic music and vows never to go back, though I think we can be proud we even got him to go in the first place. La Laiterie has all sorts of shows coming through, and there’s supposed to be some really good bands coming up later this semester (Belle and Sebastian, though sadly they’ll be here over our spring break). I’ll probably get over there at least a couple more times this semester...?
#2... Sunday morning service at the Cathedral... I may have mentioned this before, but I spend one Sunday morning sitting in the rather cold Cathedral (the huge famous one in the center of town... really amazing, both inside and out), witnessing my first Catholic service, and en français no less! It was pretty amazing to see the uniformity and ritual of the service, including the communion at the end of the service. The soloist sent chills through my spine, as she, aided by a microphone, pierced the grandeur of the cathedral with a very beautiful voice singing a liturgical phrase and then having the congregation repeat the chorus. I would have liked more music (that’s the main reason I enjoy checking out services), but that would have meant waking up for the 9 am service, and on a Sunday morning (on any morning, really), that’s not an easy task to achieve.
#3... Mozart’s Requiem at the Cathedral... I was looking forward to this for weeks, ever since we heard about it. Everything here is Mozart, since he’s one of the figureheads of Strasbourg and it’s his 250th birthday this year. And to hear his requiem in the largest cathedral in town, with those acoustics! Of course, what I didn’t realize is that large cathedrals come with two distinct problems: 1) they’re not heated and 2) large does not necessarily equal a large sound. In fact, the entire concert, from half the cathedral back, sounded like it was being played from behind a curtain. Beautiful nonetheless, but just out-of-reach, as if around the next bend in a subway station. So, while it could have been amazing were I sitting in the front row with a heater at my feet, it was instead kind of… well, not amazing. And our feet were simply frostbitten by the end of it. Funny image, however: Martina, Alex, and I got to the Cathedral a half hour before the concert was supposed to start and there was a swarming crowd amassed in front of the farther door, which hadn’t yet been opened. Joining the crowd and wondered if we’d ever get seats, but literally seconds later, we heard a noise and looked over… they were opening the OTHER doors. So, dressed in their Sunday best, a mass of old and young literally began running full-speed to be first into the cathedral, some celebrating their ability to make it in first when they’d actually been last in line, some older women swearing aloud b/c they couldn’t keep up… as unfair as it all was, it was quite humorous to witness and be a part of. Lemmings to the church…
#3... Ionesco’s “La Leçon” (The Lesson)... I was completely stoked when I saw that this play was being performed in town, as it was my initiation into the wonders of directing, during my junior year of high school as assistant director to Kevin Gamba. Seemingly so long ago, but when I saw the piece, it all came flooding back, with Mark as our student, Kirsten the professor (we switched the genders to mess things up a bit) and Carrie as the maid. I’d never read the play in the original french, so it was a very exciting opportunity to actually see it performed. It was a small production, a community group in a local community space, with a makeshift black-box-esque stage, attended by mostly young people (we think a local high school must have been reading the play and it was a recommended event). Martina and I went last thursday, as it was also very à propos to our class absurdist french theater, focused on another of Ionesco’s plays, “Rhinocéros.”
As a reflection on the production, the only thing I can really say is that we, as Americans (and high school students, at that), didn’t understand the notion of “absurd” when we attempted to put on the piece. The French understand absurd. Hence, a production of people sneaking around, pressing play on a cassette deck to hand over half their lines to a mechanized voice, the student ever-smiling and never questioning the omnipresent voice, math problems scribbled all over the walls, random dance parties in the middle of a language lesson, the maid and the professor switching off lines (a change from the original script, in which the maid has very few lines), crazy facial expressions, abrupt entrances and exits, and – the most “What the F**k??” moment of the production – the student being tied to her chair and then the professor and the maid re-entering with ski masks on, wielding menacing (and very real and buzzing) drills, all while still continuing on with the lesson, a lecture on some linguistic something or other... oh, and then a faux “penetration” bit as the professor finally kills the student at the end.
The thought of a sexual link at that point had never crossed my mind during our production (possibly also b/c we switched the male/female roles), and to see that at the very end really got my jaw to drop in astonishment. All in all... it was absurd. Just like it was supposed to be. And now, I’m set on going to see Ionesco’s “La Cantatrice Chauve” in Paris, where it’s been playing in the same theater, every night, since the 1950s(?), the longest running play in the world. Ionesco is definitely climbing the charts as one of my favorites...
#4... Le Musée d’Unterlinden, with Le Retable d’Issenheim... Situated in Colmar, south of Strasbourg, this museum was the first major stop on our first group excursion, which took place this last Friday and included the two LCers from Nancy, who road the train out to join us. An old Dominican convent turned museum post-Revolution, it is home to one of the best-preserved and most thrilling pieces of religious art of western art... Le Retable d’Issenheim, or the Isenheim Altarpiece, a collection of painted (and carved) panels by Mathias Grünewald (painter) and Nikolaus Haguenauer (carver)... and yes, I consulted the program for those names (no reliable memory here). In any case, we really didn’t know what to expect, except that we were warned to dress warmly, as part of the preservation process means that the painting has to be kept at a constantly cold temperature. Not hard this time of year, either, as it has been snowy and crazy cold these past couple weeks.
We got the museum, and while waiting for the tickets, we surveyed the vast collection of cards they were selling, all recreations of the various art pieces housed there. There were some really fantastic images, some grotesque, some very colorful, all incredibly eye-catching and, as Erica commented, it was hard to believe some of these things had been painted so long ago. After wandering the museum a bit on our own (and stumbling across some Picassos... very cool), we regrouped to get a tour of the famous altarpiece. Frankly, I was upset b/c I hadn’t scene any of the images I’d originally scene on the cards, and I wasn’t too thrilled to sit in the unheated chapel to get a lecture on religious art... but my discontentedness was soon assuaged when I realized that first of all, ALL of the images I’d been drawn to among the cards (including two of which I’d already bought) came from different segments of this masterpiece, and #2, it was simply fascinating and much more enriching to listen to someone knowledgeable explain each panel and point out all the little details I would have never noticed on my own.
I don’t think I’ve ever been as impressed with a piece of religious art as I was with this set of panels. The subject matter was altogether different from what you usually see... Jesus was not painted upon the cross as an idyllic figure... rather, he reflected the diseases of the time the painting was painted, with his pock-marked and green-tinted skin, his agonized expression, his taught fingers and blood-soaked feet... completely morbid. Within the portrait, his mother, blanched and fainting into the arms of one of the saints. On either side panel, patron saints. These were the first panels, the ones normally viewed. And, a noteworthy factor, this piece was done for an establishment in which the sick were cared for. It presented itself as a reflection piece, not covering up the terrors of agony, sickness, and death, but rather inviting the onlooker to prey, along side the patron saints.
The front panels could be opened to reveal another two sets of panels/painting beneath, depicting the resurrection, as well as the story of St. Antoine, to whom the paintings are dedicated. The style completely changes with each panel, in that it goes from somber and completely morbid, to a color-filled, almost new-agey resurrection scene (painted early 1500s, mind you), to completely creepy with monsters of greater imagination than many dreamt up by science fiction buffs of today (attacking St. Antoine...? sorry for my meager religious knowledge... I can’t keep the stories straight... Grechen, you’ll have to help me out on this one). And the final panels, a third layer, are the carved bits done by another artists and also quite impressive.
All and all, one of the few pieces of religious art that I would eagerly recommend one go out of their way to see. And I’m really not anything of a religious art buff, so that’s saying something. Make sure you get a guided-tour though... it makes all the difference.
#5... Le Musée des Eaux-de-Vie... The second museum of Friday’s expedition, we went from the religious to the sinful... though we did learn, amongst other things, that certain brands of eaux-de-via were only made in certain monasteries, their recipes well guarded by the monks that mastered the art. In any case, for those that don’t know what eaux-de-vie is... Water of Life? I.e. hard alcohol, of various kinds, with flavors distilled right into the alcohol rather than added later. In Alsace, Schnapps used to be the eaux-de-vie of choice, and though it’s now regulated by the state, certain locals of the older generations (like Céline’s grandfather) are allowed to make a given amount, to keep up their tradition.
So, a museum dedicated to hard liqueur, in a small out-of-the-way town HAS to be cool... and, man, was I in the land of eye-candy. Ever since childhood excavations of bottles in the girl scouting days of Camp Botheen (sp?), I’ve loved bottles of all shapes and sizes. And what better a spot to see bottles than an alcohol museum?! I think the guy who runs the place said he has now a collection of over 8,000 of the small shot-sized bottles... my favorites. And how interesting, to learn about all the different means of distilling the alcohol, of the different kinds of alcohol and their regional origins, of the various prohibitions and such that always come with such coveted life-water. We heard the history of Absinthe and its various bannings (from certain European countries but not others... hence a lot of smuggling). We also saw the process of adding sugar to the incredibly alcoholic (and hallucinogenic) concoction, via a hole-filled spoon that rests on top of the glass containing the alcohol and holds a sugar cube, over which water is drizzled. Supposedly it’s the only way to really get the sugar to dissolve properly into the absinthe.
And then, of course, we got to taste-test. I had a shot of the ginger-flavored eaux-de-vie (Whew! And yet, very refreshing, the ginger taste) and tried sips of other’s fruit-flavored shots. Alex got a glass of the absinthe and we tried that... very gentle, it seemed, as it was mixed with water and sugar. It’s not supposed to be the “real” stuff, ie. totally hallucinogenic, but I think it still has some of the properties, as the Bryn Mawr girls bought a bottle and had an evening of it, reporting back that it indeed felt more like being high than drunk. I guess all the big names in french philosophy and literature (as well as other writers, like Hemmingway) were rather big Absinthe fiends, which served to eventually drive some of the crazy, as the hallucinogen is a veritable poison distilled form wormwood and is just that – a poison – when ingested in excess.
#6... Le Chien Jaune de Mongolie, from Byambasuren Davaa, who also did L’histoire de chameau qui pleure (which I still haven’t seen!). So, this isn’t exactly Alsatian culture, but Saturday night Martina and I took advantage of our culture card discount to go to a film for a mere 4 euros, and this happened to be playing at one of the many local independent-film heavy movie places. Wow. Foreign film buffs? Anyone who appreciates amazing cinematography and beautiful landscape and colors? Those who love the sound of children’s laughter? Anyone interested in the isolate tradition of Mongolia? I would recommend this beautiful film to anyone blessed enough to appreciate it (may not recommend it to my host mom, who really doesn’t care much for local cinema because she’s too glued to the hollywood appeal of the latest french-dubbed American blockbusters... oy. Ah well, the grass is always greener...). Mom, dad... if you haven’t seen this one, I order you to go... now! ; )
#7... Robert Doisneau: A L’imparfait de L’objectif... There’s a monthly magazine that comes out for the Alsace area that has all the upcoming events, of every type of event possible. The night after I picked it up, I literally went through the entire thing, circling what I wanted to see (Martina and I are both rather obsessed with the piles of publications we pick up, the breadth of opportunities we want to take advantage... and she goes to about twice as much as I do!). Another one of those synchronicities, because, had I not stuck it out to the last page of this publication, I would not have noticed the small box publicizing a gallery showing of the photographs of one of my ABSOLUTE FAVORITE photographers of all time... Robert Doisneau, the famous french photographer known for his shots of Paris life circa 1950, though his careers spans into the early 90s. Anyone (okay... anyone in a western country) who has opened his or her eyes has seen a Robert Doisneau photograph, most unknowingly. He’s got calendars everyone (like on my wall at home and at school...), and his images of various Parisian kisses are world famous.
In any case, as soon as I saw there was an exhibit, I was determined to go, even after I noticed it wasn’t in Strasbourg itself. Luckily, it was only two small neighborhoods away, and Martina found a bus that left right outside her apartment that took us almost all the way there in a mere 10-15 minutes. Ariana joined us, and we spent over an hour in two small gallery rooms, taking in the eye-candy that is a Robert Doisneau photograph. His photographs are filled with incredible detail, each one telling a story, often of a sexual/lewd/humorous nature. He’s got a bit of the french irony and absurdism going in some of the pictures. And the titles nearly match the photographs in their simple ingenuity. I wonder how much of his work he staged... but really, the pictures, whether staged or not, are creative genius, in my opinion.
I couldn’t stop smiling throughout the exhibit. Here I was, in a small french village, on a Sunday*, looking at hilarious, pointed, reflective photographs from one of my favorite photographers... the lady at the front table was extremely nice, the exhibit was free to the public at the local Jewish museum, and I got a kick out of the fact that there were a handful of older french ladies that were laughing at the stylized pictures of the older french ladies of yesteryear... The day outside was gorgeous and of a positive degree (i.e. temperature wasn’t, for the first time in days, below zero) and I was simply thrilled. This excursion was after my morning movie jaunt to see Cache-Cache (explained in another post)... a sunny and smile-filled walk over to Martina’s, with other Sunday promeneurs out for a morning stroll... a lovely lunch that Martina cooked, ready upon my arrival to her place (I need to find a way to repay her for all the marvelous food her apartment has offered up)... the day was really quite perfect (in its imperfection, of course... thank you heather, for giving me a loophole to get beyond my disbelief in perfection). My only difficulty was that it’s always difficult to get together with Martina at the same time as anyone else from the LC group (besides Alex), because the LC group is prone to speak English, and I always speak French with Martina (and prefer it that way, b/c we’re more on the same level that way and always practicing)... thus, it always ends up being a mélange of them trying to speak french to Martina, then zipping of something in english to me, and me trying to respond in french and getting a quizzical look and then trying to switch to english without leaving Martina out (she speaks very good english, but I imagine the fast-paced, slang-heavy lilt of us Americans would pose just as big a problem as is the case understanding our french contemporaries). In any case, a small struggle amid a day of pure delight... not half bad, I’d say.
*SUNDAYS!... I know I’ve mentioned in previous posts that Sundays are pretty much dead here in Strasbourg... in all of Alsace, really. If you want to eat out of the house on a Sunday, you’re best bet is at one of the many Turkish Doner-Kababeries around town, unless you happen upon one of the few cafes/epiceries that decide to profit off the fact that no one else is open on a Sunday, while people – especially unknowing tourists – still want/need to eat. IN ANY CASE... I hadn’t remembered things being closed on Sundays last time I visited France (ie. everything minus museums and theaters... it’s literally like Christmas day in the US... even MacDonald’s is closed!), and it has been confirmed that it’s an Alsace thing. Why, you might ask? My feeling is that it has something to do with an interesting historical fact about Alsace and religion that sets it apart from the rest of France.
So... back in 1905, when France elected a socialist leader to head the country, the socialist leader/party decided to do away with whole Church and State mélange that Napoleon had solidified when he became the head of the church (as well as of the republic) and started paying clergy out of the state budget. The catch? When Napoleon started the whole paying clergy deal, Strasbourg and Alsace was most certainly a part of France. HOWEVER, when the 1905 split of Church and State came about, Alsace belonged to Germany and thus was not affected by the law. Somehow, when the region once again joined French ranks, some clause managed to keep it exempt from the countrywide law regarding separation of Church and State. Thus... THERE IS NO SEPARATION OF CHURCH AND STATE IN ALSACE!! The heads of churches (both Catholic and Protestant), as well as of the Jewish Synagogues, are STILL paid out of the state budget. Mosques, alas, haven’t been regarded the same status... according to Céline, Alsace, seat of the European Consulate and the International Institute of Human Rights, is still fairly rife with racism... perhaps not so much in Strasbourg major, but certainly among the more rural Alsatian populations, particularly older generations (true everywhere, it seems). So, with the church still playing a fairly enmeshed role in affairs here, it seems a propos that Sunday, here more than anywhere, is truly savored as a day of rest. Or frustration, for many of the foreign students who “get bored” on Sunday. My issue was never boredom... more frustration, due to a hungry belly and no place to buy a snack! Or today, when I asked the lady at the exhibit where the bathroom was, and she shook her head apologetically, saying they usually route people across the street to the library... but, its being Sunday, the library, and hence the bathrooms, were all locked up. Thank god for the Doner-Kabab, both for a snack and for a bathroom!
My final reflection on the whole religious deal here... number one, the history here – and my course on it, courtesy of one awesome professor – is rather amazing and incredibly interesting (i.e. it actually sticks!)... and number two, I really need to stop saying “Oh mon dieu” every two seconds; it’s much more likely to be taken as an insult here than in any of my haunts back home, and it’s so automatic I wasn’t even able to catch myself WHEN IN A CHURCH the other day. I think I got a disapproving look from an over-hearing elder. Oy. All this little “trucs” that I have to de-learn, some of the only parts of my french language the come so fast and so naturally. Go me.
#8…Opera Ballet: Modern Dance set to Mozart (of course)… Martina and I arrived half an hour late to this one, as we’d read our tickets wrong and thought it started at 8:30 instead of 8. But we still snuck in, to this lavish but smallish opera hall, where there were half-naked dancers prancing about the stage in odd configurations, half the time to Mozart, half the time to the sound of their own feet hitting the ground. The night was made up of three choreographer’s works, the first being the most abstract and the last being the most traditional. As is my habit, I liked the middle of the two, the mixture, the best. An old man in a trenchcoat running about the stage, rolling and hiding backed up by a stormy wind-sound and surrounded by beautiful yet oddly-emotionned females, dancing all about him. Frog-like at times, sexy at others, the dance was a mix of modern and ballet, abstract and traditional, and –what I really enjoy when watching dance performances—it seemd to tell a story. Bodies like water, flowing off of platforms, faces stoic or satirical… all in all, it was a wonderful thing to see. And to Mozart, no less! The final piece was also quite good, but I was rather distracted by one of the male dancers who, in rather shortened renaissance puff-pants, was the proud owner of THE SMALLEST butt I have ever seen. Truly. This guy must have been over six feet tall, but his backside was smaller than the size of his sinewy thighs! I couldn’t help but stare, and I’m afraid my face registered a truly confused, “how does that work?”” type of expression for a good ten minutes after he arrived on the stage. Alas. Those details that distract you from the larger picture. But man, going to the Opera Ballet for a mere 5 euro 50? It rocks to be under 25 here!